Kraus Naimer

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Kraus  Naimer CA11B A291 Switch 600V AC 20A AS IS
Kraus Naimer CA11B A291 Switch 600V AC 20A AS IS
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KRAUS NAIMER C10 A231 USPP C10A231
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NEW KRAUS  NAIMER Door Switch Controller C18 2DA932 600 KN1 Warranty
NEW KRAUS NAIMER Door Switch Controller C18 2DA932 600 KN1 Warranty
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KRAUS  NAIMER SWITCH KG80 T203 F A008 KG80T203FA008
KRAUS NAIMER SWITCH KG80 T203 F A008 KG80T203FA008
$50.00
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KRAUS  NAIMER A11C27420 NSPP A11C27420
KRAUS NAIMER A11C27420 NSPP A11C27420
$319.73
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Kraus  Naimer Rotary Switch C26 C54010 Used
Kraus Naimer Rotary Switch C26 C54010 Used
$40.78
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KRAUS  NAIMER ROTARY SWITCH C315 240A A AMP 600Vac 3 PH 3PH
KRAUS NAIMER ROTARY SWITCH C315 240A A AMP 600Vac 3 PH 3PH
$112.00
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Kraus Naimer CA20 Switch S A220
$15.99
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Kraus Naimer CH10 T102 D A003 FT2 Disconnect Switch 20A 600VAC
$53.08
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Kraus  Naimer Rotary Cam Switch C26 A344 L00764 001 USED
Kraus Naimer Rotary Cam Switch C26 A344 L00764 001 USED
$60.00
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Kraus  Naimer C32 Rotary Switch Two Position 45 Amp 380 Volt
Kraus Naimer C32 Rotary Switch Two Position 45 Amp 380 Volt
$34.00
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NEW KRAUS NAIMER CH10 AT12L162 SWITCH New Free Shipping
NEW KRAUS NAIMER CH10 AT12L162 SWITCH New Free Shipping
$49.99
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Kraus  Naimer A3A359 Switch Handle and Plate
Kraus Naimer A3A359 Switch Handle and Plate
$75.00
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NEW NAIMER KRAUS 600V HEAVY DUTY ROTARY SWITCH 6 POLE 10HP C18 A600 1BL101 CA20B
NEW NAIMER KRAUS 600V HEAVY DUTY ROTARY SWITCH 6 POLE 10HP C18 A600 1BL101 CA20B
$199.00
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Kraus And Naimer D10A A296 600 E 10A 600VAC Rotary Selector Switch
$47.49
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R15 A115 322 Kraus Naimer Relay 115V NIB
$50.00
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Kraus Naimer CA20 Switch Rack4c
$35.00
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1 KRAUS  NAIMER KG100T105 04E KG100 MANUAL MOTOR CONTROLLER KG100T10504E
1 KRAUS NAIMER KG100T105 04E KG100 MANUAL MOTOR CONTROLLER KG100T10504E
$95.50
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LOT OF 4 KRAUS  NAIMER CONTACTORS 120VAC 4NO 16AMP 600VAC 60HZ S1000 B120 0022
LOT OF 4 KRAUS NAIMER CONTACTORS 120VAC 4NO 16AMP 600VAC 60HZ S1000 B120 0022
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KRAUS NAIMER CA11 00 USPP CA1100
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KRAUS NAIMER C125 NSPP C125
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KRAUS NAIMER C18 A1P958 USPP C18A1P958
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KRAUS NAIMER CH10 USPP CH10
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KRAUS NAIMER C42 USPP C42
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KRAUS  NAIMER KG32A K600 USPP KG32AK600
KRAUS NAIMER KG32A K600 USPP KG32AK600
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Kraus  Naimer CF10 VDE 0660 107 BS 5419 Rotary Switch NEW
Kraus Naimer CF10 VDE 0660 107 BS 5419 Rotary Switch NEW
$175.00
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Kraus Naimer Switch CG8 Used 62812
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KRAUS NAIMER ROTARY CAM SWITCH C26 L61216 001
KRAUS NAIMER ROTARY CAM SWITCH C26 L61216 001
$27.59
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KRAUS  NAIMER 120 VAC CONTACTOR S1500 B120 0062 RELAY NEW STOCK
KRAUS NAIMER 120 VAC CONTACTOR S1500 B120 0062 RELAY NEW STOCK
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Kraus and Naimer A600 10A 600V 3PH Heavy Duty Rotary Switch
Kraus and Naimer A600 10A 600V 3PH Heavy Duty Rotary Switch
$26.35
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Kraus Naimer C10 A362 Selector Switch Made in Ireland
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KRAUS  NAIMER KG41B K312 30A AMP 3P NON FUSIBLE DISCONNECT SWITCH B387083
KRAUS NAIMER KG41B K312 30A AMP 3P NON FUSIBLE DISCONNECT SWITCH B387083
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KRAUS  NAIMER KG41B K312 30A AMP 600V AC 3P DISCONNECT SWITCH B430691
KRAUS NAIMER KG41B K312 30A AMP 600V AC 3P DISCONNECT SWITCH B430691
$14.53
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KRAUS  NAIMER CA10B A221 600E FNFP CA10BA221600E
KRAUS NAIMER CA10B A221 600E FNFP CA10BA221600E
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KRAUS NAIMER C13365 USPP C13365
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KRAUS AND NAIMER C8G
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KRAUS NAIMER C26A202 620E NSFP C26A202620E
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KRAUS NAIMER CA20B A241 600 E SWITCH NIB
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NEW KRAUS NAIMER A112PF330 SWITCH
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Set of 5 Kraus Naimer CG7 A202 620E on off Selector Switch
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New Kraus Naimer Enclosed Green Pushbutton With Cable
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KRAUS NAIMER CA20 NSFP CA20
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KRAUS NAIMER BYPASS CAM SWITCH C80 A203
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NEW KRAUS NAIMER C18 A723 2 POSITION ROTARY SELECTOR SWITCH D475691
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KRAUS NAIMER CG8 A232L09216 001 NSPP CG8A232L09216001
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KRAUS NAIMER ENCLOSURE KG41T203 40KL11V NEW IN BOX
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Kraus  Naimer C12 Rotary Switch 12amp 600VAC 5hp 3 Phase
Kraus Naimer C12 Rotary Switch 12amp 600VAC 5hp 3 Phase
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KRAUS  NAIMER DUAL 3 PHASE DISCONNECT SWITCH 40 AMP MODEL KG64BK300
KRAUS NAIMER DUAL 3 PHASE DISCONNECT SWITCH 40 AMP MODEL KG64BK300
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Kraus  Naimer Lock B11 Used 18533
Kraus Naimer Lock B11 Used 18533
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Kraus Naimer KG41B Manual Motor Controler Disconnect Switch
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Kraus  Naimer KG 80 Manual Motor Controller
Kraus Naimer KG 80 Manual Motor Controller
$65.00
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NEW KRAUS  NAIMER M700 DOOR CLUTCH REPLACEMENT PARTS DISCONNECT SWITCH B432139
NEW KRAUS NAIMER M700 DOOR CLUTCH REPLACEMENT PARTS DISCONNECT SWITCH B432139
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KRAUS  NAIMER H010 B11 VE USPP H010B11VE
KRAUS NAIMER H010 B11 VE USPP H010B11VE
$14.28
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RR23 6 KRAUS  NAIMER CA11BA714 SWITCHES
RR23 6 KRAUS NAIMER CA11BA714 SWITCHES
$120.99
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KRAUS  NAIMER CA11 AC4401 USPP CA11AC4401
KRAUS NAIMER CA11 AC4401 USPP CA11AC4401
$41.58
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KRAUS  NAIMER CA11 AC4402 NSPP CA11AC4402
KRAUS NAIMER CA11 AC4402 NSPP CA11AC4402
$41.58
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KRAUS  NAIMER KG64B T203 01 E USPP KG64BT20301E
KRAUS NAIMER KG64B T203 01 E USPP KG64BT20301E
$42.21
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KRAUS  NAIMER C80 ROTARY CAM SWITCH 600 VAC 40 HP 3 PHASE
KRAUS NAIMER C80 ROTARY CAM SWITCH 600 VAC 40 HP 3 PHASE
$74.99
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KRAUS  NAIMER L53743 001 KEY SWITCH NNB
KRAUS NAIMER L53743 001 KEY SWITCH NNB
$47.50
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KRAUS  NAIMER KG20 K400 900 KL1 SWITCH W ENCLOSURE NIB
KRAUS NAIMER KG20 K400 900 KL1 SWITCH W ENCLOSURE NIB
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KRAUS  NAIMER KG 41 MANUAL MOTOR CONTROLLER SWITCH 40 AMP A 40A 600VAC KG41
KRAUS NAIMER KG 41 MANUAL MOTOR CONTROLLER SWITCH 40 AMP A 40A 600VAC KG41
$10.00
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Kraus  Naimer Rotary Cam Switch C26 AAP604 E NEW
Kraus Naimer Rotary Cam Switch C26 AAP604 E NEW
$75.00
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Kraus and Naimer D10A A3A006 2P 10A 600VAC 2 Position Hand Switch
Kraus and Naimer D10A A3A006 2P 10A 600VAC 2 Position Hand Switch
$59.50
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Kraus  Naimer C26 Rotary Cam Selector Control Switch 40A 600V
Kraus Naimer C26 Rotary Cam Selector Control Switch 40A 600V
$42.49
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NEW Kraus  Naimer Contact Switch DH11A214 900GK1 NEW
NEW Kraus Naimer Contact Switch DH11A214 900GK1 NEW
$29.99
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KRAUS  NAIMER KG41B K300 40A 600VAC GENERAL USE DISCONNECT SWITCH
KRAUS NAIMER KG41B K300 40A 600VAC GENERAL USE DISCONNECT SWITCH
$14.99
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KRAUS AND NAIMER C41720
KRAUS AND NAIMER C41720
$45.00
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KRAUS  NAIMER KG20B T305 D A002 USPP KG20BT305DA002
KRAUS NAIMER KG20B T305 D A002 USPP KG20BT305DA002
$28.35
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Kraus  Naimer Disconnect Switch KG 80 C Used 54423
Kraus Naimer Disconnect Switch KG 80 C Used 54423
$49.00
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KRAUS  NAIMER ON OFF KNOB PARTS DISCONNECT SWITCH B389849
KRAUS NAIMER ON OFF KNOB PARTS DISCONNECT SWITCH B389849
$10.46
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Kraus  Naimer Rotary Drum Switch C32 AD12 Used 59067
Kraus Naimer Rotary Drum Switch C32 AD12 Used 59067
$59.00
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KRAUS  NAIMER KG41B DISCONNECT SWITCH 1607W
KRAUS NAIMER KG41B DISCONNECT SWITCH 1607W
$22.00
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NEW NOS Kraus Naimer DHR10 C57430 EF Rotary Switch Blue Line
NEW NOS Kraus Naimer DHR10 C57430 EF Rotary Switch Blue Line
$69.00
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Kraus  Naimer C18 D 0023 Switch
Kraus Naimer C18 D 0023 Switch
$15.00
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Kraus  Naimer CI2 A376 Rotary Selector Switch NEW
Kraus Naimer CI2 A376 Rotary Selector Switch NEW
$43.99
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Kraus  Naimer CG4 G87875 S 0X92 4 Position Rotary Switch Norm Insp Prog VFC
Kraus Naimer CG4 G87875 S 0X92 4 Position Rotary Switch Norm Insp Prog VFC
$49.99
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KRAUS  NAIMER BLUE LINE SELECTOR SWITCH AMSL54088 001 1008 CA10 A220 900 NIB
KRAUS NAIMER BLUE LINE SELECTOR SWITCH AMSL54088 001 1008 CA10 A220 900 NIB
$49.99
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KRAUS NAIMER CA10 SWITCH
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KRAUS  NAIMER CH10 SWITCH MISSING PARTS
KRAUS NAIMER CH10 SWITCH MISSING PARTS
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KRAUS  NAIMER ROTARY SWITCH C26 A203
KRAUS NAIMER ROTARY SWITCH C26 A203
$49.99
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Kraus and Naimer Selector Switch
Kraus and Naimer Selector Switch
$50.00
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Kraus Naimer Ammeter Switch A11
Kraus Naimer Ammeter Switch A11
$25.00
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Kraus Naimer Heavy Duty CG4 1 US4047 2 Position Switch
Kraus Naimer Heavy Duty CG4 1 US4047 2 Position Switch
$23.98
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KRAUS  NAIMER C32 A202 USPP C32A202
KRAUS NAIMER C32 A202 USPP C32A202
$75.08
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KRAUSNAIMER X400 ROTO SWITCH
KRAUSNAIMER X400 ROTO SWITCH
$75.00
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1 NEW KRAUS  NAIMER CA4 POSITION SWITCH W ILLINOIS M715 KEY NNB
1 NEW KRAUS NAIMER CA4 POSITION SWITCH W ILLINOIS M715 KEY NNB
$19.49
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NEW KRAUS  NAIMER S1000 RELAY
NEW KRAUS NAIMER S1000 RELAY
$79.99
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Kraus Naimer

Independent Films in the Digital Age: A Triumph of Diversity over Scarcity

In the brief history of film, advances in technology have from time to time challenged and changed industry models. These advances have wrought their most significant changes on independent sectors of the movie business. In the glory days of the studio system, a parallel or serious rival to that system coming from the independent industry would be unthinkable; the cost and challenge of production and post-production was prohibitive, difficulties of promotion insurmountable. The Internet and many new digital distribution technologies are now starting to remove barriers for the makers and distributors of independent films.

The development of the 16mm camera and advances in sound technology made it possible, though still difficult, for individuals or small groups of filmmakers to make manifest their vision – something rarely possible in the days of the Edison monopoly on technology, or the prohibitive cost of 35mm cameras and professional lighting setups. The challenges of film making were still myriad, but the development of an independent sector of the industry forced the majors to take notice, though the development of subsidiaries specifically tasked to take note of and distribute promising independent films failed to materialize. Independent film had a narrow audience, generally limited to subcultures of underground or experimental film. (Such audiences were often primarily composed of fellow filmmakers – though it bears noting that in many cases, these self-selecting individuals were not those who would turn out to view a majority of the studio efforts.)

Within the last several decades, advances in digital cinema have furthered a similar and all the more powerful renaissance. High-resolution digital video offers an image quality that rivals that of film stock, while video camcorders, and relatively affordable professional-quality editing software capable of being run on inexpensive PCs have made the production and post-production process possible, reasonable and accessible for a substantial number of individuals. With the resulting increase in the number and quality of such films being made, a resulting cultural scene emerged alongside, but not quite outside, the mainstream.

The resulting boom in independent films has forced major distributors to take notice – and conversely, it could be said that without the involvement of major distributors, a comparable boom of popularity and profitability for independent films would not have been possible. What was once seen as a rival to the Hollywood studios has entered in large part into a symbiosis with it.

Most major studios now have subsidiaries that are tasked with helping to develop or distribute independent efforts. The line between independent films and major studio films has been blurred, with many major studio efforts developing the independent aesthetic characterized as "less commercial, more character driven." A space for independent films has opened in the marketplace, and with it, the gap between major studio efforts and the most successful or talented of the independent film efforts has narrowed.

The chief difficulty for independent films is distribution and promotion; this has historically been a chief advantage of major studios. In a hit-driven culture where the prime method for consumers to approach new films is to be drawn to them in the theater, on cable television or through video rentals as a result of widespread promotion, creators of films that do not have similar resources to widely promote or distribute their works are at a profound disadvantage.

The cost to deliver film prints to theaters can be prohibitive. These costs can be dramatically reduced, however, through digitally projected cinema distributed on DVD or via satellite. But the dilemma of the independent film remains, as theaters are under pressure to show films with guaranteed high demand – and the films with the highest demand remain those that are highly publicized through extensive and costly marketing campaigns. Even when finance is not an issue, there remains the scarcity of space available in theaters for the constantly expanding market of independent films.

Certainly, the rise of the home entertainment market has been a boon for film makers not benefiting from the dominant channels of theatrical distribution and has permitted substantial gains for independent films in the marketplace. However, in the major marketplaces of DVD and video, the products taking up the limited shelf space of mass market outlets are, as with theatrical release, largely limited to the products of the largest cultural producers – the hits and blockbusters of the major movie industry.

It is evident that, given current market conditions, independent film cannot break through into the mainstream in a traditional fashion. It is fortunate for independents that an alternative to the mainstream is emerging; a result of the development and ubiquity of digital technologies. Accompanying it is a new ability for independent filmmakers and distributors to reach new audiences in ways that were not possible in previous models. This overcomes a traditional focus on attempting to share the existing market dominated by the major production and distribution houses, and emphasizes opening an audience previously unavailable or unreachable.

Many (perhaps most) independent films gain an audience primarily through the buildup of buzz and word of mouth surrounding them; they follow the model of a slow burn, in distinct opposition to the model of saturation release where a film may be released worldwide on several thousand film screens for a week or two and then fade until the release on DVD and home video. Independent films traditionally have relied on winning acclaim at film festivals and the long-term development of an audience through limited release in order to attract the attention of major distributors.

New alternatives to more costly forms of mass promotion (advertising, commercial tie-ins, and similar) are coming into existence. For instance, social networking sites such as MySpace promise a new ability to build audiences from the bottom rather than the top. The Internet is increasingly becoming a space where potential viewers seek out new options in entertainment, including reviews, summaries, and other information on new films. Referral services at sites such as Amazon.com or Netflix can connect audiences with specific topics of interest to films on the margin that will cater to those interests. In connection with the traditional means of film festival publicity and word of mouth, these developments suggest promising new ways for independent films to build modest to large audiences and connect audiences with subject matter that may interest them but may also have gone previously unnoticed and unknown.

Even should these new sources of promotion manifest their promise, there still remains the difficulty of distribution. Major films are likely to be released on thousands of screens in domestic and foreign markets. Independent films, often restricted to limited release runs, have a less forgiving margin for success and failure. A kind of economy of scale exists; though it may well cost significantly more to distribute a film to many thousands of theaters, per-unit cost drops, and moreover, even a relatively modest audience response spread across a worldwide stage generally ensures a return that will pay for cost of production and distribution. Independent films, often featuring less audience draw in terms of star power, substantially reduced promotional budgets, and less accessible subject matter, are hardly guaranteed success.

The development of digital channels of distribution offers a different and perhaps interrelated model for the success of independent films that might otherwise experience difficulty with the existing system. First, digital distribution significantly reduces costs. No prints need to be produced, only a single lossless digital copy uploaded to a server. Digital channels also mitigate other difficulties of distribution. There is no need, initially, to enter into partnerships with existing supply chains or manufacturers, only online distributors, themselves significantly less encumbered by the restraints of brick-and-mortar distribution.

As costs associated with physical distribution and inventory storage decrease toward zero, even a product with a relatively low audience is distributed at a profit. Making the leap to the mechanism of digital storage, considerably less expensive than that of even minimal, centralized physical warehousing, the advantage is similarly manifest; the least popular titles can be stocked for a fraction of physical-world storage costs in digital form.
However, this model does not indicate the demise of traditional outlets of distribution and exhibition for cultural products – on the contrary, it indicates that different approaches to economy and distribution have the potential to expand purchases in total.

In the work "Consumer Surplus in the Digital Economy", Brynjolfsson, Smith & Hu estimate the "value of increased product variety at online booksellers." Brick-and-mortar bookstores and large publishers alike have benefited significantly from the increased diversity of titles. Online vendors offer an ability to browse amongst titles no longer popularly stocked, or to more easily discover obscure items, the procurement of which might otherwise prove unduly expensive. Online outlets allow customers to consider purchases of titles that were previously unavailable or unknown to them.

Individuals browsing online vendors become aware of the vast diversity available in the marketplace, and then return to the world of local distributors with an expanded sense of the possible. In counterpoint to previous models which capitalized exclusively off of hits and blockbusters, present developments in distribution technique make possible a marketplace that draws revenue from the total pool of cultural products, not merely those in print or high demand.

The diversity of digital technology offers increased investment on the part of the existing consumer base alongside new sources of revenue drawn as niche marketing and narrowcasting provide previously marginalized interests with exposure to products that were previously invisible, due to a lack of presence in the marketplace.

Increases in product variety serve to enhance the overall advantage of independent films, which may gross lower than the mainstream hits, but which may earn larger sums in aggregate. This is of advantage particularly to those distribution houses already in a position to distribute significant numbers of independent films at an affordable rate via ultra-low-cost digital storage and distribution. The more possible choices available to consumers, the more likely any given product (or selection of products) is to sell, and thereby turn a profit.

Even a comparatively small number of individuals purchasing these titles, in significant enough numbers, can become a tidal wave of revenue. In this fashion, one can perceive the veracity and power evident in Joe Kraus' phrase, "millions of markets of dozens."Sean Landers is an On-line Marketing Associate at EZTakes, a movie download service. EZTakes sells a large catalog ofindependent filmsthat consumers can purchase, download and burn to DVDs that will play in almost any standard DVD player. By making it easy for consumers to download DVD movies, EZTakes has bridged the gap between the Internet and the living room.

Article Source: http://www.simplysearch4it.com/article/34181.html

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